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Entries in writing info (6)

Monday
Jun152009

Edit Ruthlessly

Dear readers, Today's blog post is in memory of my grandfather, who in spite of being a rather difficult, complicated fellow, was also a genius when it came to language. He put a lot of value in creativity, but also smart use of words. Born in Eastern Europe, and coming to the US after surviving Auschwitz, he spoke 7 languages and had a long career in advertising. Stealing art supplies from the art department from said ad agency, he set up a make-shift studio in the basement for us grandkids.

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Friday
Apr172009

Unusual Historicals

By Carrie Lofty

In November 2008, I wrote an article for Romance Writers Report, the magazine for members of the Romance Writers of America, on the topic of unusual historicals -- historical romances set in places other than England, Scotland or the United States, or in unusual time periods. This topic is near and dear to my historian heart, and I founded the multi-author cooperative Unusual Historicals in 2006 to help promote our tiny corner of romance publishing. Caren asked me to condense my findings to a blog-friendly length. These are the highlights. 1. People may not be as eager for globetrotting stories as authors are to write them. But a market does exist, and readers are getting restless.

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Wednesday
Mar262008

Pre-conference Post No. 3

By Caren Johnson

This entry is simply a laundry list of projects I’d like to see. Some are more developed than others, but feel free to use any ideas as your own if it inspires creativity. Of course the quality of the writing is the most important part of the equation. I feel like too many genre novels (this includes romance, mystery, science fiction, urban fantasy or anything that isn’t commercial/women’s fiction) are written without a thought to the quality of the writing. But books that have great hooks and that are well written really get more attention and make the reading experience more enjoyable. So pay attention to the words on the page as well as the story.

Contemporary romance/Romantic comedy: My favorite contemporary writers are Susan Elizabeth Phillips and Jennifer Crusie. I think both of the blend humor with strong story telling and I really want someone who can do this. I represent Kelley St. John so she’s a great example of what I read and love.

YA Romance: I represent Stephanie Kuehnert, Alex Echevarria and Emily Adler (they’re collaborating which is why they’re linked here), and Jennifer Echols. This should give some idea of the kinds of books I like. I want smart characters, strong plots and fun settings. In other words I want the sun, moon and stars. I have plenty of room for great writers in this area since I think editors and readers are still hungry for more fabulous writers.

YA Paranormal/Fantasy: I represent Stacey Jay and Terri Clark. Both are fabulous authors with a fun voice and happen to write about zombies, witches, mind readers, werewolves and other creatures that go bump in the night. For me, I want the focus to be heavily on the character and the story. I know world building is important, but I want a fully fleshed out story before this. We can always work on developing the world together before it goes to publishers.

I’m also looking for women’s fiction and commercial fiction. I try not to give examples here because I’ll inevitably get someone who writes exactly like X. I’m not looking for copy cats. I’m looking for writers who have novels that are well written and fun. Hopefully they’ll be commercial and would make good book club picks.

Hope this helps.

Tuesday
Mar252008

Pre-conference Post No. 2

By Caren Johnson

As promised this post is devoted to all things pitching:  how to pitch at a conference, how to pitch by email, how to pitch in an elevator and how to pitch in general. I can only speak for myself about the details of the pitch and what I prefer, but there are general rules that work for all agents.

Be professional. I stress this the most because it’s the hardest to do. I realize that everyone is nervous when they pitch. I still get nervous when I’m pitching an editor I haven’t worked with. It’s not a bad thing. The trick is to remember that if you fall back on manners, you’ll impress the agent (or editor) by being so calm, cool and collected. This doesn’t mean you can’t allow your personality to shine through. It just means that you need to understand that this is a business meeting and always treat it as such. Personally I like to make a little small talk to put the other person at ease, but you can launch straight into your pitch on the offset.

Remember to identify the conference or place that you met me at in your query letter. So many people forget to do this and I end up with twenty emails that say, “So nice to have met you. Here’s the book, as requested.” Make it easy for me. Make sure that you tell me where we met (personal connections do make me read faster), what the book is and include a little something about yourself. It doesn’t have to be a full query, but give me something so it can jog my memory and let me know why I wanted to read this book.

Don’t read directly from your notes. It makes me think you’re not as familiar with your material as you should be and I know this isn’t the case nine times out of ten. You know your material. Just talk about your book and make me see how special it is. Chances are I’ll want to take a look.

Do your research. This is important because while some agents like being pitched by snail mail, others only want to be pitched by email (this is the category I fall into; don’t pitch me or send me anything by snail mail, please). Make sure you have the latest information about the preferences. And don’t send me an email asking me to outline my preferences either. There are too many reliable information sources for you to check before you send me an introductory email to the introductory email about your book. It becomes redundant.

Be concise. Leave white space. Don’t list accomplishments that have nothing to do with your writing unless they help your career in some way.

Be polite. I inevitably get the person who comes to introduce themselves only to let me know that I rejected them. It’s not personal. I only want to represent things that I feel I can sell. What good is it to have an agent who can’t sell your book? And just because I say no to one book doesn’t mean I’m going to say no to everything. I definitely leave the door open to future queries. Most of you aren’t going to only write one book so while the first book may not catch my eye, another might. Don’t abuse this open door policy and send me a note every three weeks saying you’ve written a new book. That’s going to frustrate both you and me because I’m going to keep saying no and you’re going to keep getting turned down.

Make sure every book you send out is your best work. Don’t email me a week after you send me your book to let me know that you revised it and want to send me the newest version. It makes me crazy. I have a limited amount of time and if I think you’re wasting it, I get cranky.

I’m really looking forward to meeting lots of great writers and hearing lots of great stories. See you soon…

 

Friday
Mar212008

How to be everywhere on the internet without really trying

by Jennifer Echols

Lots of people tell me that I seem to be everywhere on the internet. That’s funny. I don’t feel like I’m everywhere. I would love to surf the web all day, but I just can’t do it and still work my job and write my novels.

That said, I’ve been online long enough, and I’ve participated in enough writing communities, that I do have a lot of pages set up for myself in different places. And I think this is very important for writers—especially new writers whose publishers might not have huge advertising budgets set aside for them, or prepublished writers who are networking and learning.

I’m not aggressive online. I don’t go out and try to recruit new readers. I actually can’t remember the last time I friended someone on MySpace who didn’t friend me first. But whenever I go about my business in the cyberworld, I make it very easy for someone to follow my trail back to my web site, where they can find out more about my books. Build it and they will come.

I can’t tell you how many times I’ve enjoyed a book and tried to look up the author online to find out more and view the backlist, only to discover that the author had no web site, no MySpace page, no nothing but perhaps a few mentions on a review site or two. In this day and age, what are these people thinking? Truth is, lots of readers will never come looking for me on the web. But if they do, I’m here with all the info they want. If I weren’t, I would be passing up an almost-free advertising opportunity.

Here’s a run-down of my little planet in cyberspace.

My web site: www.jennifer-echols.com. If it looks like I built this page myself, I do not want to hear it. You will find much prettier web sites that have been professionally designed, but you will not find a web site with easier access to pertinent information about the author’s books.

MySpace: www.myspace.com/jenniferechols. Basically I just have a description of my books here, and a link to my web site. I have blogged and run contests here before, and I do get a lot of private messages from readers. I think a lot of YA readers find messaging an author on MySpace less intimidating than sending an e-mail.

LiveJournal: jenniferechols.livejournal.com. This is where I feel most at home, posting comments about trying to be a writer and live a life at the same time. Most of my friends here are writers too. My profile page provides a description of my books and a link back to my web page.

Blogger: I’ve started two group blogs for authors in the lines I write for: www.simonpulseromanticcomedies.blogspot.com and www.mtvbooks.blogspot.com. Group blogging is a great way to make readers aware of you and your books without having to post very often. Again, my profile page tells people what I want them to know and invites them back to my web page.

FaceBook: www.facebook.com/profile.php?id=619987057. Unlike the other pages, I’m pretty sure you can’t view this one unless you log in. I’m new to FaceBook and I’m not sure exactly how it works yet. People keep friending me and inviting me to be a vampire. But hey, if they want to bite me, I’m available. That’s how I play this game.

Note that for all my blog profile pictures, I use my latest book cover. Every time someone sees my icon in a post or someone else’s friend space, they become more likely to pick up my book when they encounter it in a store.

Also, when I make a comment on someone else’s blog post in any of these worlds, I always log in so readers of the post will see my book cover and possibly follow me back to my own blog or my web page. Unless I forget.

See, I try not to take all this cyberstuff too seriously. Some people can post a hilarious blog every single day and still have writing energy left to expend on their real work. I am not one of these people. To me, blogging is a lot easier than writing novels, and if I’m not careful I’ll waste a lot of time on this. Like cross-stitching. I had to stop cross-stitching cold turkey. So I only post on my Blogger group blogs once per month each. I post to LiveJournal when I have something to say. And I comment on other people’s blogs because I consider them friends, even if I’ve never met them.

Last but not least, I’m participating in my publisher’s blog event through March 24 at www.pulseblogfest.com. Wow, Simon Pulse has really been advertising this event. When they asked how many questions I’d like to answer between one and seven, of course I maxed out with seven. I am no fool. I get to be on the same blog as Judy Blume! Through no special effort on my part.

That’s my laissez faire introduction to the internet. So friend me, link to me, post on my posts. I’ll get back with you…eventually. But I will get back with you.

Tell us about your experience in online communities. Are you a member of any blog groups that I haven’t mentioned here? Any there any you recommend we join or avoid?

Jennifer Echols